ARRI Shows Off the All New ALEXA Mini at NAB 2015! [VIDEO]

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Mike Jonas of ARRI Talks about the New ARRI ALEXA Mini which Boasts the Same Image Quality but in a Much Smaller Package.

 Price Range $36,000 to $45,000 depending on options.

ARRI announces the new ALEXA Mini, a versatile additional tool in the ARRI ALEXA camera range that combines a compact and lightweight form factor with the same unparalleled image quality that has made the ALEXA system a gold standard for the industry. Designed for specialized shot-making, the ALEXA Mini perfectly complements a full ALEXA shooting kit and allows crews to eliminate the complications of working with third-party cameras by keeping everything within a single system that is trusted all over the world.

To maintain ARRI’s famously rugged build quality in a small and lightweight camera, a number of unique design solutions have been incorporated. These include highly integrated and environmentally sealed electronics, a lightweight carbon housing and a solid titanium PL mount that connects directly with the new internal sensor mount to ensure a super-stable flange focal distance, even when using large lenses. Nimble in use and hardy on set, the ALEXA Mini is a go-anywhere tool, easy to transport in backpacks or as carry-on luggage.

The ALEXA Mini can be operated in a number of ways: by wireless remote control, as a normal camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Light enough to be comfortably held at arm’s length in a hand rig, its compact size and extremely quiet operation also make it ideal for tight shooting conditions. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, the ALEXA Mini’s interchangeable lens mount can be replaced with any of those designed for the ARRI AMIRA, allowing the use of B4 video and EF mount stills lenses.

Equipped with a 4:3 sensor, automatic de-squeeze mode for anamorphic productions and frame rates of 0.75-200 fps, the ALEXA Mini records ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder that can record image streams from up to four ALEXA Minis simultaneously — a compelling option for multi-camera setups such as 360° plate shots. Images from the ALEXA Mini will perfectly match those from all other ALEXA cameras, making the final grade easier and quicker.

Integrated functionality is at the heart of the ALEXA Mini’s efficient and self-contained design. A built-in lens motor controller allows new active lens motors to be connected directly to the titanium PL mount, while ARRI Lens Data System (LDS) technology provides frame-accurate metadata that can save time and money both on-set and in post. Wi-Fi connectivity means that iOS or Android devices can be used to remotely control camera functions such as the motorized internal ND filters, which permit rapid responses to changing light conditions without adding bulk to the camera configuration.

The body design is optimized for use with new-generation brushless gimbals, multicopters and other specialized rigs. It is compact enough in the lens direction to allow the use of standard PL mount lenses even on lightweight and space-constrained rigs, such as gyro-stabilized aerial systems. The camera’s superb low-light performance makes it perfect for underwater work; dedicated underwater housings are currently being developed by leading manufacturers.

Like the ARRI AMIRA, the ALEXA Mini can record 4K UHD ProRes images, facilitating real-time 4K UHD output and simple pipelines for high-resolution deliverables. More importantly, the Mini and all other ARRI cameras with the ALEV III sensor offer unrivalled overall image quality by focusing not just on spatial resolution, but also on other parameters such as colorimetry, skin tones and High Dynamic Range (HDR). This is equally true whether the chosen output is HD, 2K, 4K UHD or one of the native resolution outputs like uncompressed ARRIRAW 2.8K or ProRes 3.2K, ensuring that images captured with the ALEXA Mini are future-proof, whatever new industry standards emerge.

The ARRI ALEXA Mini is scheduled to begin shipping in May 2015.

  • Camera type: 35 format film-style digital camera with lightweight and compact carbon body, 4:3/16:9 switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangable lens mounts and ARRI Lens Data System
  • Dimensions (camera body with PL lens mount)Length: 185 mm/7.3″ | Width: 125 mm/4.9″ | Height: 140 mm/5.5″
  • Weight: ~ 2.3 kg/5 lbs (camera body with titanium PL lens mount)
  • Sensor: 35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array
  • Photosites:
    • 16:9
      HD: 2880×1620 (3168×1772)
      2K: 2868×1612 (3154×1764)
      3.2K: 3200×1800 (3424×1926)
      4K UHD: 3200×1800 (3424×1926)
    • 4:3
      2K: 2867×2150 (3168×2160) *
  • Shutter: ​Electronic shutter, 5.0° to 356.0°
  • 14+ stops over the entire sensitivity range from EI 160 to EI 3200
    as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
  • EI 800 base sensitivity
  • Built-in motorized ND filters 0.6, 1.2, 2.1
  • Lens Mounts:
    • Titanium PL mount with L-Bus connector and LDS
      EF mount
      PL mount with Hirose connector and LDS
      B4 mount with Hirose connector
  • ​CFast 2.0 memory cards
  • HD 1920×1080
    2K Cine 16:9 2048×1152
    2K Cine 4:3 2048×1536 *
    3.2K 3200×1800
    4K UHD 3840×2160
    ARRIRAW 2.8K 16:9 2880×1620 *
    ARRIRAW 2.8K 4:3 2880×2160 *
  • ProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), ARRIRAW *
  • Rec 709, custom look or Log C
  • Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation)
  • Knee, gamma, saturation, black gamma, saturation by hue
  • Peaking, zebra, false color
  • Sound: < 20 dB(A) at standard frame rates
  • Working conditions: -20° C to +50° C (-4° F to +122° F) @ 95% humidity max, non-condensing. Splash and dust-proof through sealed electronics
  • Viewfinder: Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen
    and military-grade connector to camera
  • Control: Soft buttons and OSD on SDI output, integration of Transvideo StarliteHD touch interface *
  • ARRI Lens Control: Built-in radio interface for ARRI lens control. L-Bus motor output for daisy-chainable cforce lens control motors
  • Built-in Wi-Fi interface and web-based remote control from phones, tablets, and laptops
  • Power: Lemo 8-pin, 10.5-34 V DC
  • Outputs: 2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio
    and metadata, SDI-6G interface to external CODEX recorder *
  • Inputs: SDI-Genlock (optional activation through ARRI Service), timecode (in and output)
  • Other Interfaces: USB 2.0 (for usersets, looks etc.). Ethernet. EXT accessory interface w. RS pin

*may not be available at product launch, but will become available as a software upgrade later in 2015

​And a look at the list of frame rates and resolutions (which are lower than the bigger ALEXA in some cases recording internally):

ARRI ALEXA Mini Frame Rates Resolutions